Warning: this is an htmlized version!
The original is here, and the conversion rules are here. |
% (find-node "(lilypond)Top") % (find-node "(lilypond)Index") % (find-pspage "/usr/doc/lilypond/lilypond.ps.gz" 136 "index") % (find-pspage "/usr/doc/lilypond/lilypond.ps.gz" 55 "articulations") % (find-node "(lilypond)ly2dvi") % (eev "cd ~/LILYPOND/; ly2dvi roundmidnight.ly && rexdvi roundmidnight.dvi &") % (eev "cd ~/LILYPOND/; dvips -o roundmidnight.ps roundmidnight.dvi") % (eev "cd ~/LILYPOND/; dvipdf roundmidnight.dvi") % (eecd "echo 'l $passwd(puc)' > $EEG; eegpasswd scp roundmidnight.ps edrx@$SUCURI:LILYPOND/") % (eecd "echo 'l $passwd(puc)' > $EEG; eegpasswd scp roundmidnight.pdf edrx@$SUCURI:LILYPOND/") % (find-shttpw3 "www.lilypond.org/") % (find-fline "/usr/doc/lilypond/examples/mutopia/") % (find-node "(lilypond)Lyrics and chords" "not used") % (find-node "(lilypond)Top level" "\\header") % (find-node "(lilypond)ly2dvi" "header fields") \header { title = "Round Midnight" composer = "Thelonious Monk / Miles Davis" instrument = "(transposed one tone up, for viola)" arranger = "Typed by Edrx (2002oct10)" } % (find-node "(lilypond)The first real tune") % (find-node "(lilypond)Notes") % (find-node "(lilypond)Pitches") % (find-node "(lilypond)Durations") % (find-node "(lilypond)Tuplets") % (find-node "(lilypond)Beaming" "Manual beams" "`['") % (find-node "(lilypond)Articulations" "^") % (find-node "(lilypond)Text scripts") % (find-node "(lilypond)Clef") % (find-node "(lilypond)Bar check" "`|'") % (find-node "(lilypond)Bar lines" ":|") % (find-node "(lilypond)Line break" "\\break") \score { \notes { \transpose d % transposition to viola { \clef alto % transposition to viola \key ges \major \time 4/4 \repeat volta 2 { % First line r4 bes16 ees' f' bes' ges'4. bes8 | ees'4. d'16 ees' bes'8 aes' r4 | r4 ees'16 ges' bes' des'' d''4. ees'8 | \break % Second line a'8 fis'16 d' gis'4 aes'8 f'16 des' g'4 | r4 bes'16 ces' ees' ges' f'4. des'8 | bes'4 \times 2/3 {ees'8 d' des'} c'8 a'4 ees'16 f' | \break } % Third line (where the 1-- and the 2-- appear) \alternative { { \times 2/3 {fis'8 fis' fis'} \times 2/3 {fis'8 f' dis'} f'4. dis'8 | d'8 bes r4 r2 | } { fis'4 f'8 dis' f'4 ees'8 des' | ees'2. ees'8 f'8 | \break } } % Fourth line ges'4 f'8 ees' f'4. ees'8 | d'8 bes' r4 r4 ees'8 f'8 | ges'4 f'8 ees' f'4. ees'8 | d'8 bes r4 r4 bes'4 | \break % Fifth line ces''4. ces''8 bes'4. bes'8 | aes'4 ges' f'4. bes'8 | ees''8 ees'' ees''4 des''8 des'' des''4 | ces''4 ees'8 d' bes'8 aes' e' d' | \break % Sixth line r4 bes16 ees' f' bes' ges'4. bes8 | ees'4. d'16 ees' bes'8 aes' r4 | r4 ees'16 ges' bes' des'' c''4. ees'8 | a'8 fis'16 d' gis'4 aes'8 f'16 des'16 g'4 | \break % Seventh line r4 aes'16 ces'' ees'' ges'' f''4. ces''8 | bes'4 \times 2/3 {ees'8 d' des'} c'8 aes'4 ees'16 f' | ges'4 f'8 ees' f'4 ees'8 des' | ees'1 % end } } \paper { } }